Since the beginning of time, man has had fun through artistic manifestations, among them, plays. From the classical era to the present day, people watching plays, get involved and have fun with the plots taken to the stage.
With the creation of cinema at the end of the 19th century, theater did not cease to exist, but the staging of stories in theaters began to share space with the films projected on the big screens.
Parallel to the stories projected on the screens, the films often bring in their scenes the manifestation of the unconscious of their authors and directors. This content is also conveyed in the form of archetypes, which are part of the collective unconscious of a society.
Certain scenes depicted in a film may appear repeatedly in different film productions, written by the same author. This recurring theme (which is repeated) may be linked to a real experience of those who wrote a film scene, being inserted many times in an autobiographical and intentional way, or even derived from unconscious content of the author of the film, which come to the fore in the narratives of cinema in an unconscious way.
We can also mention the cases of subliminal insertion of themes that can influence the behavior and opinion of the viewers of a film, thus causing the consumption of products for example, without the public clearly realizing what is being conveyed. For this reason, and due to the possibility of influencing its viewers with fads, ideologies and forms of behavior, c
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